Book design of ” The Dialogue that is Us” by Tony Chakar, Lebanon–2013.
In 17th century Europe, “emblem books” were quite common, and they mainly spoke of the end of things, of a failed world and its defeats. Everything became an allegory, where the image was not an illustration of the text and the text was not a caption for the image.
The Dialogue That Is Us takes emblem books as its point of departure: from the wreckage of History, images are seized and transformed into allegories that illuminate the present of a world (the Arab World) that did not produce them. But then again, in the wreckage of History, strange affinities arise form between things, no matter how remote.
PenguinCube–Lebanon
Book design of ” The Dialogue that is Us” by Tony Chakar, Lebanon–2013.
In 17th century Europe, “emblem books” were quite common, and they mainly spoke of the end of things, of a failed world and its defeats. Everything became an allegory, where the image was not an illustration of the text and the text was not a caption for the image.
The Dialogue That Is Us takes emblem books as its point of departure: from the wreckage of History, images are seized and transformed into allegories that illuminate the present of a world (the Arab World) that did not produce them. But then again, in the wreckage of History, strange affinities arise form between things, no matter how remote.
PenguinCube–Lebanon